THE JUICE OF WAR

– Hiroshima and Nagasaki –

for “The Smell of War” exhibition

installation (2015)

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CONTEXT: The Smell of War exhibition http://www.thesmellofwar.be
VENUE: The castle De Loving, Poperinge, Belgium. 
CURATOR:  Peter de Coupere

When I was a child, my bedroom contained a shelf of my mother’s books and one of these book was about Hiroshima and Nagasaki. Inside I found photos of burned and rotten bodies. A field full of bodies that no longer look like bodies. It was in the high summer season so the bodies would quickly rot and flies laid eggs wherever they could.

The photos were so shocking to me that for nights I was afraid to go to sleep.  But I did not dare ask my mother to remove that book from my bedroom because it seemed rude to the victims. As I grew up I peeked into the book again and again, out of curiosity for the atomic bombings, and I realized that I was getting better in dealing with the fear. I ended up sleeping with that book until I left home at the age of 17.

I completely forgot about these pictures, but all of sudden, while I was thinking what to show here, I realized that they were the reason why I could not think anything else beside the smell of rotten flesh when I think of “the smell of war”.

In other words, working on this concept was digging into my memories.


Instruction:
Please put your head in a bowl. This smell was manually extracted from the juice of burned and rotten flesh.

The prime minister of Vlamish government also enjoyed the work at the opening.

Production:

This is a bizarre story of purchasing meat of 20 euros at a supermarket, and made it rotten till it starts stinking for extracting the smell… I am a bit ashamed to tell you the whole story but this is the real story behind this work.

This is a bizarre story of purchasing meat of 20 euros at a supermarket, and made it rotten till it starts stinking for extracting the smell… I am a bit ashamed to tell you the whole story but this is the real story behind this work.

When the curator Peter de Coupere asked me to participate in the exhibition with the theme of “the smell of war”, I could not think of anything else than the smell of Hiroshima and Nagasaki. That would be the case by most of Japanese. We grew up with reading the cartoons “Hadashi no gen はだしのゲン”, with full of illustration of burned and rotten corps and maggot. Also it illustrates the bad odor.

The interface design:

Purchasing the parts for “katrol”
 

I sew the acrylic bowl myself because there was no company who could do this… it was quite some work.

I asked Peter, the organizer, for hanging the bowl with some instructions.

According to the testimonies of those who experienced it, the victim was charred in an instant, and after the black rain, the sun continued to shine and decayed as it did. It was the hottest time of the year. I simulated this process at my atelier in Japan: I bought pieces of meat at a local supermarket: chicken and pork and whatever I could find, and burned them.

And dried them for 10 days in the sunlight.

This is the simulation of Hiroshima and Nagasaki. It was high in the summer time when they got bombed, and the burned corps got rotten quickly.  Flies lay eggs and it stank terribly everywhere.

After 5 or 6 days they started to smell like a garbage.  Around the 10th day it started to stink sour, and this was the limit (also for my neighbor…).

I extracted a little to check the smell and turned out that it was missing the burned scent, so I burned them extra.

Then sliced them.  My cutting board was suddenly covered with the flies. It was like a horror movie. I couldn’t inhale even, so I inhaled the fresh air 10meters away and ran to the cutting board, and repeated this.

After the extraction, I filterd it, but it also releases smells everywhere… I got headache from it.  If I would have continued this process I would have gotten depressed.

In my fridge is the extract and beer mixed up…it’s safe as long as it’s concealed 🙂

SCENTS OF HOLLAND

perfume art (2008)

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NO.1 Hyacinthus

NO.2 Dutch Cheese (Belegen Kaas)

NO.3 Speculaas Spices (Speculaaskruiden)

NO.4 Autumn Leaves (Herfstbladeren)

NO.5 Brussels Sprout (Spruitjes)

0.5ml each

These perfumes are not meant to be worn, but to be smelled for triggering your memories, emotions, and imaginations. Open the cap, wait for 15 seconds so that the alcohol evaporates, and let the smell enter your nose from the stick. The smells are manually extracted from the materials by the artist.

first release: Jan. 19, 2008

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booklet3 [Converted]

 

HOW TO ORDER

(1) Worldwide: direct order, 35 Euro ex. shipping cost. Shipping by normal post (thinner than 3cm).  Contact 

(2) in Japan: 5,400 YEN ex. shipping cost, distributed by Inframince contact(at)inframince.jp

 

DEVELOPMENT

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More documentations: http://scent-lab.blogspot.com/search/label/%5BThe%20Scents%20of%20Holland%5D

 

EXHIBITIONS

2008 Kunstsuper, Rotterdam (NL)

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2009 FoAM, Brussels (BE)

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2009 Artist Summit Kyoto (JP)

2010 World Technology Awards, NY (US)

2010 Inframince, OSAKA (JP)

7 SMELLS

body odour extracts of 7 dancers

perfume art, for sale (2008)

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DATE: 2008
COMISSION: Emio Greco | PC
CURATOR: Isabelle Vigier (Art Director)

ABOUT “7 SMELLS”

7 Smells – an olfactive art project by Maki Ueda
On the request by EG | PC to distill the essence of the dance company, Ueda is exploring new ways in her olfactory research, for the first time using fabrics. On her part, the Japanese enriches the ever developing scent culture of the dance company. Her work forms a crucial step in the realization of a genuine perfume that will for the first time ever translate a choreographic concept into an essence. 

For Maki Ueda, the starting point is the sweat of the dancers collected in the fabrics of the costumes by EG | PC designer Clifford Portier. The metaphor of the sweat is strongly intertwined with the essence of human movement. Portier’s designs constitute active elements within the works of the choreographers where they even lead a life of their own: time and again they are worn until they are worn out. The sweat residues in the costume fabrics testify to the past exertions of the dancers, as scented fingerprints of spent energy. 

The perception of the EG | PC scents commences a mental journey in time to that lost, evaporated moment of creation of a danced performance: the scents remind us of the energy that is involved in constructing a dance creation, or recalls to the present the physical exertions that occurred during the performances. Never concrete. After all, motion and scent share that elusive character. Limited edition

33,-

Purchase 7 SMELLS (Emio Greco | PC website)

SOURCE OF THE BODY ODOUR

 DANCE PERFORNANCE “HELL” BY EMIO GRECO | PC

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HELL – trailer from ICKamsterdam – Emio Greco | PC on Vimeo.

PROCESS OF EXTRACTION

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More documentations regarding development:

http://scent-lab.blogspot.com/search/label/%5B7%20smells%20%28body%20odor%29%5D

RELATED PUBLICATION:
MAGAZINE “PURGATORIO” 

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7: risorgimento for purgatorio – magazine (EN/NL/FR)

7: risorgimento for purgatorio – magazine (EN/NL/FR)

Pretext. Image. Scent. Text. And context. A synergy of various artistic energies clustered around the theme of purgatory. That is what the [purgatorio] magazine, closely linked with the EG | PC performances [purgatorio] POPOPERA and [purgatorio] IN VISIONE, has to offer. The work of the choreographers and the artistic team feeds the essence of the magazine. In its turn, the magazine perfumes the creation process as an interactive forum. A purifying reciprocity. 

Art director: Isabelle Vigier 
With contributions by: Arnon Grunberg, Levi van Veluw, Maki Ueda, Gérard Mayen, Johan Reyniers, Bart Boone, Pasquale Martini and René van Peer.

Published by Emio Greco | PC in close cooperation with art director and artist, Isabelle Vigier. 
Available in Dutch, English and French. ISBN 978-90-810813-4-4

7,50

Purchase Purgatorio magazine (Emio Greco | PC website)