SWEATY-OILY SOUR-CHEESY JUICE

COLLABORATION WORK BY SHOTA YAMAUCHI AND MAKI UEDA

performance (2023)

Credit: Shota Yamauchi & Maki Ueda, Sweaty-oily Sour-cheesy Juice, 2023. 
Photo by Yuki Moriya. Courtesy of Kyoto Experiment.

DATE: October 7th, 2023
CONCEPT & DEVELOPMENT: Shota Yamauchi and Maki Ueda
CONTEXT:
Kyoto International Performing Arts Festival 2023 (Kyoto Experiment)
VENUE: Kyoto E9, Kyoto Japan

Festival Information Page

 ‘The Witch of the Black Forest lives by feeding on people’s smells.

 If she eats the scent of a person, she can transform herself into that person.

The Witch’s pleasure is to embrace smells.

Eat the smell

Embracing the odor.

Caress the odor.’

When the “Smell of Love” Intertwines with the Body –

In this play, the characters are “I,” “The Witch,” and “The Beast of Smell. The Witch and the Beast of Smell are the products of an image created by “I”. “You” or “Smell Slave” are the audience .  

The word “stink” is not used until the very end, and it is only in the third and final chapter, “Smell Paradise,” that the word “stink” is used. Here, “I” wake up from a dream. “I” turn “stink” into joy. “Stink” is a metaphor for being alive.

Atop the stage sits a device combining a glass distiller and a large water tank with thin tubes—it is a distillation machine for extracting the body odor of humans. Using the distiller, a number of performers transform body odors collected from audience members into a perfume which is then blended with various fragrances in the large water tank to create “smell juice”. The performers soak themselves in the smell juice, playing with the smell and attempting to become the “smell of love” itself. An extraordinary indescribable scent lingers in the air. As the work progresses, the scents in the theater gradually change. What smell will envelop the venue at the end?

Emerging contemporary media artist Shota Yamauchi works at the intersection of digital technology and physical expression; this new piece is his theater debut. In his 2021 Maihime, Yamauchi explored animalistic tendencies in a human’s sense of touch, depicting a pseudo-sexual encounter between a human and a virtual gorilla in virtual space. His curiosity has extended into the realm of “smell,” which is closely tied to emotion and memory, leading to a collaboration with olfactory artist Maki Ueda for this new work.

A paradise of smells is born from mixing the body odors collected from audience members and various “smells of love”. Through the performance, encounter a moment when human reason and animalistic nature intricately coexist through the sense of smell.

[THE LIST OF DIFFUSED SCENTS]
Scene1: grass field
Scene2: ransid sweat (by the wild animal)
Scene3: blood (by the witch)
Scene4: distilled collective sweat of the Smell Slaves (audience)

7 SMELLS

body odour extracts of 7 dancers

perfume art, for sale (2008)

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DATE: 2008
COMISSION: Emio Greco | PC
CURATOR: Isabelle Vigier (Art Director)

ABOUT “7 SMELLS”

7 Smells – an olfactive art project by Maki Ueda
On the request by EG | PC to distill the essence of the dance company, Ueda is exploring new ways in her olfactory research, for the first time using fabrics. On her part, the Japanese enriches the ever developing scent culture of the dance company. Her work forms a crucial step in the realization of a genuine perfume that will for the first time ever translate a choreographic concept into an essence. 

For Maki Ueda, the starting point is the sweat of the dancers collected in the fabrics of the costumes by EG | PC designer Clifford Portier. The metaphor of the sweat is strongly intertwined with the essence of human movement. Portier’s designs constitute active elements within the works of the choreographers where they even lead a life of their own: time and again they are worn until they are worn out. The sweat residues in the costume fabrics testify to the past exertions of the dancers, as scented fingerprints of spent energy. 

The perception of the EG | PC scents commences a mental journey in time to that lost, evaporated moment of creation of a danced performance: the scents remind us of the energy that is involved in constructing a dance creation, or recalls to the present the physical exertions that occurred during the performances. Never concrete. After all, motion and scent share that elusive character. Limited edition

33,-

Purchase 7 SMELLS (Emio Greco | PC website)

SOURCE OF THE BODY ODOUR

 DANCE PERFORNANCE “HELL” BY EMIO GRECO | PC

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HELL – trailer from ICKamsterdam – Emio Greco | PC on Vimeo.

PROCESS OF EXTRACTION

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More documentations regarding development:

http://scent-lab.blogspot.com/search/label/%5B7%20smells%20%28body%20odor%29%5D

RELATED PUBLICATION:
MAGAZINE “PURGATORIO” 

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7: risorgimento for purgatorio – magazine (EN/NL/FR)

7: risorgimento for purgatorio – magazine (EN/NL/FR)

Pretext. Image. Scent. Text. And context. A synergy of various artistic energies clustered around the theme of purgatory. That is what the [purgatorio] magazine, closely linked with the EG | PC performances [purgatorio] POPOPERA and [purgatorio] IN VISIONE, has to offer. The work of the choreographers and the artistic team feeds the essence of the magazine. In its turn, the magazine perfumes the creation process as an interactive forum. A purifying reciprocity. 

Art director: Isabelle Vigier 
With contributions by: Arnon Grunberg, Levi van Veluw, Maki Ueda, Gérard Mayen, Johan Reyniers, Bart Boone, Pasquale Martini and René van Peer.

Published by Emio Greco | PC in close cooperation with art director and artist, Isabelle Vigier. 
Available in Dutch, English and French. ISBN 978-90-810813-4-4

7,50

Purchase Purgatorio magazine (Emio Greco | PC website)