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MAKI UEDA

Maki Ueda (JP/NL)
Olfactory Artist

JAPAN HOUSE Sao Paulo - fotos  de Rogério Cassimiro (5)

Born in Tokyo, Japan, in 1974. Currently based in Okinawa and Tokyo, Japan.

Olfactory artist Maki Ueda (JP/NL) focuses the spectator’s attention on her fragrant gestures by minimizing the influence of the other senses. Her current research explores olfaction in relation to space and movement resulting in strong, often universal, approaches. She focuses on the pure experience of a smell instead of a more contextual or narrative approach. In addition to her own creative work, she teaches courses on olfactory art at the ArtScience Interfaculty of The Royal Academy of Art and the Royal Conservatoire, The Hague (NL) since 2009.

She has developed a unique combination of chemical and kitchen skills in order to extract the scents of daily life, including foods, ambient aromas, and bodily scents. She creates scents that capture childhood, identity, a mood, or a historical event. The results of her experiments take the form of olfactory installations and workshops.  She has inspired and influenced many olfactory artists for making her process and recipes “open source” on her blog, and became one of the most famous olfactory artists (listed on the wikipedia page “olfactory art“)

Maki Ueda studied media art under Masaki Fujihata at The Environmental Information Department (B.A. 1997, M.A. 1999), Keio University, Japan. She received a grant from the Japanese government in 2000 and from the POLA Art Foundation in 2007. She has been based in The Netherlands from 2000 till 2011. She learned perfumery at Grasse Institute of Perfumery in 2008.

She has been nominated for the Art and Olfaction Awards Sadakichi category, the world’s olfactory art hall of fame, for five consecutive years so far, winning in 2022.

Wikipedia page: “Maki Ueda”

Online Portfolio: www.ueda.nl

Online CV

Atelier and Online Academy: www.pepe.okinawa

Awards:

2009 – Nominated for The World Technology Awards Category: Art (NY, USA)
2016 –  The 3rd Art and Olfaction Awards Finalist (Sadakichi Award) for ‘The Juice of War
2018 –  The 5th Art and Olfaction Awards Finalist (Sadakichi Award) for ‘Olfactory Games‘, The Art and Olfaction Awards
2019 –  The 6th Art and Olfaction Awards Finalist (Sadakichi Award) for ‘Tangible Scents – Composition of Rose in the Air
2020 – The 7th Art and Olfaction Awards Finalist (Sadakichi Award) for ‘Olfactory Labyrinth ver. 5
2022 – The 8th Art and Olfaction Awards Winner (Sadakichi Award) for ‘Viral Pafum
2023 – The 9th Art and Olfaction Awards Finalist (Sadakichi Award) for ‘Aerosculpture’
2024 – Commissioner for Cultural Affairs Award (Japan)

Specialities:

• Olfactory installations (as well as site-specific and open-air installations)

• Perfume artworks

• Research on the sense of smell and other senses

• Olfactory performances

• Olfactory workshops (for both adults and children)

• Food art event/ws with the focus on the sense of smell and molecular gastronomy

• Teaching “olfactory art” at art schools and universities

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OLFACTORY LABYRINTH VER. 8

THE REVIVAL OF OIKAZE

space installation (2025)

DATE: June 7th– September 7th, 2025
CONTEXT: The Ethers
VENUE: Craft Contemporary, Los Angeles, USA 
CURATOR/PRODUCER: The Institute for Art and Olfaction

[Concept]

This installation is set in a scene from The Tale of Genji, a Japanese love novel written about thousand years ago. It recreates the moment in the “Fireflies” chapter when Prince Hotaru falls in love with a noble princess. From behind bamboo blinds that visually obscure the room, an elegant fragrance drifts on the breeze, captivating him. This installation allows the viewer to experience that moment from Prince Hotaru’s perspective.

Unbeknownst to him, however, the refined scent was from a handsome and fragrant man, Genji―her stepfather―who was, in fact, courting her.

The scent carried on the wind is called “oikaze”, meaning “tail wind.” Aristocrats of the time used such scents as symbolic cues in social interactions. The word still challenges us today to reflect on our sensibility.

Scents: moving inward from the outer edge
• May rain
• Wild citrus blossoms in the garden
• Herbs used in the Sweet Flag Festival to ward off evil
• Decorative medicinal balls (kusudama) of the Festival
• Room incense of the season
• The scent of Genji’s garment (the stepfather)
• The scent of the princess’ garment