After ten years of activity Sensxperiment International Creation Meeting will be organized in a triennial basis, so most activities of the current eleventh edition will take place in October and November 2011, mainly in Lucena and Cordoba, Spain.
The topic chosen for this edition is ‘Sensory Immersion’.
olfacto = olfactory, the sense of smellscape = denoting a specified type of scene
Olfactoscape is a 3m diameter space created with a curtain. The walls are invisiblly “painted” with smells.
OLFACTOSCAPE is a word that I made up, consisting of OLFACTO (= olfactory) and SCAPE (= scene). Let’s observe an olfactory landscape with our nose, like a dog. Close your eyes, walk and sniff. Some scents come closer to you, while others fade away. Is there any scent that attracts you, or that makes you want to approach? This is a research project of searching for the boundaries and possibilities of our sense of smell.
Japanese people have a unique sense for the scents in nature. They appreciate the scents of the season as if viewing the landscape. They feel tipsy for the sweet scents under the cherry blossoms in the early spring night, and they feel the autumn for the scents of osmanthus. OLFACTOSCAPE is meant for experiencing such olfactory attitude. The selection of the scents illustrates this Japanese sensitivity to nature.
This work was initially developed with the support of INFRAMINCE, Inc (www.inframince.jp) and PANTALOON (www.pantaloon.jp).
DEVELOPMENT
- hinoki
- camphor
- lily of the valley
- cherry blossoms
- wild rose
- forest with fallen leaves
- ginger
- yuzu
- matsutake
- wild lily
- cinnamon
- grass
etc.
DATE: July 23 (TUE)- Aug 9 (FRI), 2013. 10:00-18:00. CONTEXT: Mazda 100 years anniversary VENUE: Okamura Garden Court Show Room SPONSOR: Okamura Co., Ltd. SUPPORT: Yamamoto Perfumery Co., Ltd.
It’s a void space dedicated for touching, hearing, and smelling. The architect Makoto Yokomizo designed a semi-dark space that makes you feel like “endless space that is vast and misty”, and Maki Ueda made the scent diffusion system for it. As you walk into the space you cannot see at instance, then you automatically switch your priority to hearing, touching, and smelling. As you get used to the darkness you see no end in the space. There’s no object but an environment. As you explore in the space you smell differently – 3 principle smells are used here like RGB for monitors. Thus, smells navigate you in the space. There’s no meaning given to the smells, but it’s you who give them. The focus is your sense of smell, movement, and orientation.
