THE JUICE OF WAR

– Hiroshima and Nagasaki –

for “The Smell of War” exhibition

installation (2015)

DSC_2641
CONTEXT: The Smell of War exhibition http://www.thesmellofwar.be
VENUE: The castle De Loving, Poperinge, Belgium. 
CURATOR:  Peter de Coupere

When I was a child, my bedroom contained a shelf of my mother’s books and one of these book was about Hiroshima and Nagasaki. Inside I found photos of burned and rotten bodies. A field full of bodies that no longer look like bodies. It was in the high summer season so the bodies would quickly rot and flies laid eggs wherever they could.

The photos were so shocking to me that for nights I was afraid to go to sleep.  But I did not dare ask my mother to remove that book from my bedroom because it seemed rude to the victims. As I grew up I peeked into the book again and again, out of curiosity for the atomic bombings, and I realized that I was getting better in dealing with the fear. I ended up sleeping with that book until I left home at the age of 17.

I completely forgot about these pictures, but all of sudden, while I was thinking what to show here, I realized that they were the reason why I could not think anything else beside the smell of rotten flesh when I think of “the smell of war”.

In other words, working on this concept was digging into my memories.


Instruction:
Please put your head in a bowl. This smell was manually extracted from the juice of burned and rotten flesh.

The prime minister of Vlamish government also enjoyed the work at the opening.

Production:

This is a bizarre story of purchasing meat of 20 euros at a supermarket, and made it rotten till it starts stinking for extracting the smell… I am a bit ashamed to tell you the whole story but this is the real story behind this work.

This is a bizarre story of purchasing meat of 20 euros at a supermarket, and made it rotten till it starts stinking for extracting the smell… I am a bit ashamed to tell you the whole story but this is the real story behind this work.

When the curator Peter de Coupere asked me to participate in the exhibition with the theme of “the smell of war”, I could not think of anything else than the smell of Hiroshima and Nagasaki. That would be the case by most of Japanese. We grew up with reading the cartoons “Hadashi no gen はだしのゲン”, with full of illustration of burned and rotten corps and maggot. Also it illustrates the bad odor.

The interface design:

Purchasing the parts for “katrol”
 

I sew the acrylic bowl myself because there was no company who could do this… it was quite some work.

I asked Peter, the organizer, for hanging the bowl with some instructions.

According to the testimonies of those who experienced it, the victim was charred in an instant, and after the black rain, the sun continued to shine and decayed as it did. It was the hottest time of the year. I simulated this process at my atelier in Japan: I bought pieces of meat at a local supermarket: chicken and pork and whatever I could find, and burned them.

And dried them for 10 days in the sunlight.

This is the simulation of Hiroshima and Nagasaki. It was high in the summer time when they got bombed, and the burned corps got rotten quickly.  Flies lay eggs and it stank terribly everywhere.

After 5 or 6 days they started to smell like a garbage.  Around the 10th day it started to stink sour, and this was the limit (also for my neighbor…).

I extracted a little to check the smell and turned out that it was missing the burned scent, so I burned them extra.

Then sliced them.  My cutting board was suddenly covered with the flies. It was like a horror movie. I couldn’t inhale even, so I inhaled the fresh air 10meters away and ran to the cutting board, and repeated this.

After the extraction, I filterd it, but it also releases smells everywhere… I got headache from it.  If I would have continued this process I would have gotten depressed.

In my fridge is the extract and beer mixed up…it’s safe as long as it’s concealed 🙂

OLFACTOSCAPE VER. 2

– Deconstructing Chanel No. 5 –

DATE: 15.03.2012 [preimer]
VENUE: 
V2_ Institute for Unstable Media
CONTEXT: event name: Smell This!

V2’s page on the event Smell This!

v2testlab


OLFACTO (= olfactory) SCAPE (= scenery)

OLFACTOSCAPE is an invisible panorama painting. It’s a 3m diameter space created with a curtain. The walls are “painted” with smells.

Perfume is a composition of multiple ingredients, often more than a hundred. Making a perfume is like making a piece of music: creating a harmony with multiple tones. In this version of the OLFACTOSCAPE, independent components (aromatic ingredients) of Chanel No. 5 are separately placed (sprayed) at the different locations. If you stand in the middle point of the space, you would smell the “harmony.” If you walk along the curtain, you would smell the “individual tones.” The intention is thus, to deconstruct the Chanel No. 5, and to reconstruct it again.

Enter the space, close your eyes, walk and sniff like a dog. Some scents come closer to you, while others fade away. When do you smell the “harmony” and when do you smell the “individual tones?” Do the scents navigate you instead of you navigating yourself? Is there any scent that attracts you, or that makes you want to approach?

This project is supported by Omega Ingredients and inframince.jp.

IMG_2710

IMG_2719

IMG_2714

A multi-sensorial perception of space – ‘Olfactoscape’ by Maki Ueda

A review by Caro Verbeek, an art historian

(cited from http://www.olfactoryart.net/index.php/olfactory-news/14-olfactory-news/109)

‘Because we have two nostrils and because we can move, we are able to perceive smells in stereo and navigate through a space by inhaling’

OLFACTOSCAPE VER. 2 IN SPAIN

DATE: 20.10.2011. – 12.11.2011.
PLACE:
LUCENA (CORDOBA), SPAIN
CONTEXT:
SENSXPERIMENT http://www.sensxperiment.es/

SXP 2011 Olfactoscape-Maki Ueda
P1140603
P1140604
P1140667
P1140668
6281134967_2387782c4a_b
6281653818_bc26436664_b
6281649346_92e7b1ef45_b


20th October – 12th November 2011. Lucena-Córdoba

After ten years of activity Sensxperiment International Creation Meeting will be organized in a triennial basis, so most activities of the current eleventh edition will take place in October and November 2011, mainly in Lucena and Cordoba, Spain.

The topic chosen for this edition is ‘Sensory Immersion’.

Continue reading “OLFACTOSCAPE VER. 2 IN SPAIN”