アロマスケープ・オブ・シンガポール

– olfactory representation of the city –

workshop & installation (2011)

 

Aromascape of Singapore consists of two parts: a workshop and an exhibition.

In May 2009 and March 2010, Ueda conducted a 3-day workshop for Aromascape of Rotterdam at Willem de Kooning Art Academy, Rotterdam, The Netherlands.  The workshop format will be adopted for the Singapore version of the project.

What do you smell if you walk around the city of Singapore?  Savoury fragrance from food stands and restaurants, green and fresh scent in a market, salty sea bleezes, or stinking garbage?  Singapore has an international reputation to be the clearnest city in the world.  In this project, participants are going to explore Singapore on the level of smell.

What is it that we are smelling, what does it make you imagine, what does it make you feel? This workshop will deal with these questions through a combination of lectures, hands-on workshops with fieldwork.  The result of the workshop will be used for the exhibition.

Some of the smells are extracted and exhibited. Just like a perfume shop, the visitors are free to touch them, open the bottles and smell them.  They are not perfumes for wearing, but for evoking your emotion and imagination.

[Relationship to Art and Education]

For Aromascape of Singapore, the relationship of the work to the theme can be seen as follows:  the purpose of working with art academy sudents is to raise the awareness for their sense of smell.  As these students will be in their late teens or early 20s, they have the maximum physical capability of smelling, because as you get old you can smell less.  They still have the clear memories from their youth that are attached very much to smell.  It’s the perfect mement for them to learn about smell and totally different dimensions will open up in front of them.

 

 

WORKSHOP

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More documentations regarding the workshop

http://scent-lab.blogspot.com/search/label/%5BAROMASCAPE%20OF%20SINGAPORE%5D

 

EXHIBITION

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NO. 1: IXORA FLOWERS (AMARYLLIS SEAH HSUEH TING)

NO. 2: SUGARCANE (BRENDAN POH KAI JIE)

NO. 3: CHEESEBURGER (NG YI HUI MARY ANN)

NO. 4: NEWSPAPER (KANAKO FURUKAWA)

NO. 5: CEMENT (ORANJE)

NO. 6: RICE (AMARYLLIS SEAH HSUEH TING)

NO. 7: INDIAN INCENSE (SHERYL LAW)

NO. 8: BAK KUT TEH (HO BAOXIN)

NO. 9: BARBECUE (MACK ZHI FANG WENDY)

NO.10: CHAR KWAY TEOW (DEVA RAJ)

NO.11: COFFEE (YU DANYA)

NO.12: TAIWAN SAUSAGE (CHUA TIAN LI)

NO.13: GARAM CIGARETTES (HEMA LATA D/O VEERAMOHAN)

 

EXHIBITION DETAILS

5- 16 January 2011 (Mon-Sun 10am – 7pm Fri 10am – 9pm)

Glass Porch, Level 2, Singapore Art Museum

World Premie (Supported by Singapore Art Museum)

as a part of: Fringe Festival @ Singapore

http://www.singaporefringe.com/#/back-to-school/AROMASCAPE-OF-SINGAPORE-

relating workshop: 29 – 30 Dec 2010, 11am – 2pm at Singapore Art Museum

 

オープン・ソース

– a technical and social food art event –

 

date: Nov. 22, 2008

concept, realization: FoAM

 

THEME

 

  • open source & open sauces
  • the sense of taste & the sense of smell
  • food crisis, trading, logistics,
  • future of the food etc.etc…
  • Not to forget: to taste!

photos by: Alex Davies

 

CONCEPT

http://fo.am/open_sauces

2008-11-22 18:00 Europe/Brussels
2008-11-22 23:00 Europe/Brussels
Location: FoAM Lab, Koolmijnenkaai 30-34 Quai Des Charbonnages, B-1080 Brussels, Belgium

FoAM and the Guild for Reality Integrators and Generators invite you to a synaesthetic dinner, to jointly sample, celebrate and debate the future of food.

Food is a nutritious and delectable product of our reciprocal, sustaining relationship with the environment. It is also one of the oldest cultural expressions, rooted in hospitality and sharing. As the gastronome Brilliat-Savarin noted three centuries ago, “the discovery of a new dish does more for human happiness than the discovery of a new star.”

Open Sauces will unfold in a sequence of experimental courses, matched with drinks, improvised music and esteemed guests. While savouring the foods, the guests will be engaged in table conversations, sharing experiences, recipes and ingredients needed to demystify cultural, environmental, technical and ethical aspects of contemporary food systems. From molecular gastronomy to fair trade, from permaculture to food-tracking, from open source to open sauces, we will blend seemingly unrelated elements of our food chain. In an era riddled with environmental and cultural anomalies, these transdisciplinary and trans-local connections will become one of the keys to our survival, as individuals, communities and species.

With: Alexandra Deschamps-Sonsino, Kultivator, Sher Doruff, Maja Kuzmanovic, Alok Nandi, Sneha Solanki, Wietske Maas, Matteo Pasquinelli, Kate Rich, Femke Snelting, Andreas Strauss, Maki Ueda, Allison Zinder and other local and trans-local food experts and enthusiasts.

There are limited places for this event so please RSVP if you would like to attend.

The extended menu (in the form of a cookbook) is available online at http://opensauces.cc/open.sauces.pdf

 

MY CONTRIBUTION

Green Peas & Mint Soup

15 11 10

 

  • gaseous <—- the perfume dish that I contributed
  • fluid
  • (half)solid

 

It was my role to give a toast for this course. (The toasts were related to the each course.) My toast:

If you pinch your nose when you eat, you wouldn’t taste much flavors. The role of smell is quite crucial in cookery, because 70 % of tasting is said to be smelling. The rest 30 % is saltiness, sweetness, sourness, bitterness, umami, and some texture. The smell or aroma of the food comes in to the nose through the nose holes, but also from the back of the nose by chewing. Good test would be to chew the food with the mouth open. You wouldn’t taste much. This transparent liquid in the perfume bottle is distilled green pea & mint soup. The aroma’s of the soup is condensed and concentrated in this liquid. In other words, it’s the same liquid that you can also find on the lid. Now, what happens if we don’t close the pan when making a soup? You might find an answer in this perfume. You can spray it in your mouth.

 

DEVELOPMENT

http://scent-lab.blogspot.com/search/label/%5BOpen%20Sauces%20%7C%20FoAM%5D

 

 

REFERENCES

Food pairing:

http://www.foodpairing.be/

http://khymos.org/pairings.php

 

OPEN SAUCES BOOK

A book that covers the whole evening of memorial dinner event Open Sauces is published.

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ISBN 978-90-810733-0-1

  download the electronic edition of the “Open Sauces” cookbook in PDF: http://opensauces.cc/open.sauces.pdf

  • with full recipe of the evening
  • with full recipe of Edible Perfume Workshop
  • with full recipe of “green peas and mint soup – gaseous, fluid, solid -“
  • it’s a MUST have book for those who are interested in molecular gastronomy, food art, and cooking with scents in priority

 

From the introduction…

This book is designed as a collection of the “toasts” and their accompanying recipes from the Open Sauces dinner. It is a scrapbook – a “common-place book” in the parlance of earlier centuries – and a book of commons. Commons, a term denoting shared public resources, can be traced back to the sharing of provisions, of rationing limited amounts of foodstuffs to feed a whole community. Similarly, Open Sauces offers bite-sized morsels of diverse aspects of contemporary food culture – whether curious information, case studies, or specific techniques – to feed a diverse group of readers. The book also contains the recipes for the complete, seasonal Open Sauces menu, designed for twenty-five people. The recipes list the original amounts; however, as each course was quite small, the quantities cited in the recipes could be used for four to six people if served in a two or three course dinner. In several recipes the amounts are approximate, as this is the preferred method of cooking and sharing recipes at FoAM. The recipes and related texts are available online at http://opensauces.cc in editable form. Improvements, adaptations, comments, questions and suggestions are more then welcome. After all, Open Sauces should stay true to its title.

五感のための晩餐会

– レストラン形式でのフードアート・ワークショップ –


ワークショップ/イベント (2009)

 

 

是故空中 無色無受想行識

無眼耳鼻舌身意 無色声香味触法

 

– 般若心経 –

dinner

 

 

2009 年 9 月 27 日、 オランダ・ロッテルダムのあるシアターの食堂を借りて「五感のための晩餐会 」が開催されました。

私たちはふだん、何気なくご飯を頂いていますが、匂いを嗅いでは食欲をそそられ、料理の盛りつけ を見ては感嘆し、コリコリした食感に唸るなど、全五感をフル回転させて「味わう」ことを体験して います。食べるということは、味覚だけでなく、五感(あるいはもっと多くの感覚)で楽しむ行為な のです。

「五感のための晩餐会」は、ワークショップであり、フード・アートでもありつつ、その場がレスト ランでもあります。ひとつひとつの料理に添えられるのは、目隠しや耳栓など、感覚を消したり強調 したりするための小物。これで五感のどれかを鈍くしたり鋭くしたりして、「味わう」という行為を 再認識してもらいます。このディナーを通して、未知の感性や感覚を発見できるかもしれません。

日本関係のフェスエィバルの一環として開催されたので、メニューは和食で構成されました。

 

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photos: Moritz Bernoully

 


お食事:

お通し
音無し、あるいは音煩わし。体内感覚で楽しむ品々。
耳栓着用
  • 青海苔せんべい
  • もろきゅう
  • 揚げそうめん
  • わかめサラダ
  • そばかりんとう
  • 枝豆
  • 麹漬け(上田家秘伝)
  • ミックスナッツ

 

前菜

 

味と匂いの実験のための品々

 

1. まずは味噌汁を蒸留して作られた「MISO SOUP PERFUME」を、拭香紙を使って匂いを嗅いでください (あるいは口に吹きかけてください)。

匂いの特徴が時間の経過で変化するのを追ってください。
  • トップ・ノート(ネギ)
  • ミドル・ノート (椎茸/昆布だし)
  • ラスト・ノート (味噌)

 

MISO SOUP PERFUME は、味噌汁を蒸留して作られた香水。

透明ですが、フレーバーは味噌汁そのもの。

 

2. ほんものの味噌汁を味わってください。

 

主菜

 

目隠着用

全く同じディッシュが2回サーブされます。

 

 

1回目:

 

  • 目隠着用
  • 手づかみで

 

 

2回目:

 

  • 目隠は外す
  • 箸を使って

 

色無し、形無し、けれども花づくし。 触覚的、感覚的。 (糸こんにゃく、カボチャの煮物、桜のおにぎり、等)

 

 

デザート

 

ビックリ・アイス

目隠・耳栓着用

 

スペシャル・ドリンク

グリーン・ティー + オレンジ・ジュース・スプレー

 

オレンジ・ジュース・スプレーを口に吹きかけ、それから緑茶を口に含ませます。

“ふたつの食品の主要成分に共通するものがあった時に、それらはうまく組み合わさる。”

: モレキュラー・ガストロノミーの共通認識としてのコンセプトに基づいた組み合わせです。

(www.foodpairing.be)

 

 

 

インスピレーション

このワークショップの最初のインスピレーションとなったのは、ブリュッセル・ ベースのアーティスト・コレクティブである FoAMの活動でした。マヤ・クズマ ノビッチが企画した刺激的なイベントのひとつに、2008年11月の Open Sauces という晩餐会がありました。食の未来に関して多角的に検討するための企画で、 そのトピックは分子ガストロノミー、食と感覚器官(上田もこのトピックに寄 せて作品を提供)、食の流通や食糧危機問題、食の安全など、多岐に渡るものでした。

 


メーキング

ブログ魔女の実験室 [五感のための晩餐会]を参照してください。

 

クレジット

special thanks to : カメラ・ジャパン・フェスティバル

コンセプト & 制作 : 上田麻希

料理 : 上田のり子、上田麻希

サービス : 遠藤みさ枝+マリア、稲村朋子