7人の体臭 (7 SMELLS)

– body odour extracts of 7 dancers –

perfume art, for sale (2008)

comissioned by: world-wide known contemporary dance company Emio Greco | PC.

 

ABOUT “7 SMELLS”

DSC_0144

DSC_0132

7 Smells – an olfactive art project by Maki Ueda
On the request by EG | PC to distill the essence of the dance company, Ueda is exploring new ways in her olfactory research, for the first time using fabrics. On her part, the Japanese enriches the ever developing scent culture of the dance company. Her work forms a crucial step in the realization of a genuine perfume that will for the first time ever translate a choreographic concept into an essence. 

For Maki Ueda, the starting point is the sweat of the dancers collected in the fabrics of the costumes by EG | PC designer Clifford Portier. The metaphor of the sweat is strongly intertwined with the essence of human movement. Portier’s designs constitute active elements within the works of the choreographers where they even lead a life of their own: time and again they are worn until they are worn out. The sweat residues in the costume fabrics testify to the past exertions of the dancers, as scented fingerprints of spent energy. 

The perception of the EG | PC scents commences a mental journey in time to that lost, evaporated moment of creation of a danced performance: the scents remind us of the energy that is involved in constructing a dance creation, or recalls to the present the physical exertions that occurred during the performances. Never concrete. After all, motion and scent share that elusive character. Limited edition

33,-

Purchase 7 SMELLS (Emio Greco | PC website)

 

SOURCE OF THE BODY ODOUR

 DANCE PERFORNANCE “HELL” BY EMIO GRECO | PC

05_EGPC1

emiogreco_hell1web

HELL – trailer from ICKamsterdam – Emio Greco | PC on Vimeo.

 

PROCESS OF EXTRACTION

DSC_0009

DSC_0027

DSC_0039

DSCN4379

DSCN4404

DSC_1512

More documentations regarding development:

http://scent-lab.blogspot.com/search/label/%5B7%20smells%20%28body%20odor%29%5D

 

 

RELATED PUBLICATION: MAGAZINE “PURGATORIO” 

DSCN4729

7: risorgimento for purgatorio – magazine (EN/NL/FR)

7: risorgimento for purgatorio – magazine (EN/NL/FR)
Pretext. Image. Scent. Text. And context. A synergy of various artistic energies clustered around the theme of purgatory. That is what the [purgatorio] magazine, closely linked with the EG | PC performances [purgatorio] POPOPERA and [purgatorio] IN VISIONE, has to offer. The work of the choreographers and the artistic team feeds the essence of the magazine. In its turn, the magazine perfumes the creation process as an interactive forum. A purifying reciprocity. 

Art director: Isabelle Vigier 
With contributions by: Arnon Grunberg, Levi van Veluw, Maki Ueda, Gérard Mayen, Johan Reyniers, Bart Boone, Pasquale Martini and René van Peer.

Published by Emio Greco | PC in close cooperation with art director and artist, Isabelle Vigier. 
Available in Dutch, English and French. ISBN 978-90-810813-4-4

7,50

Purchase Purgatorio magazine (Emio Greco | PC website)

オー・ド・パルファン パーフェクト・ジャパニーズ・ウーマン

– perfect Japanese woman になるための香水 –

パフューム・アート、インスタレーション (2008)

 

 

作品概要

このインスタレーションは「糠味噌」、「畳」、「味噌汁」、そして「石鹸」の4つの香水で構成されます。香水店のように、拭香紙にスプレーして匂いを嗅いだり、着用してください。スプレーした後20秒待って、アルコール分が蒸発してから匂いを嗅いでください。

それぞれの匂いは、日本の社会が期待する女性像を象徴しています。匂い自体は、作家の手によりそれぞれの 素材から抽出されました。

DSC_2062

DSC_2070

DSC_0990

DSC_1021

 

 

香水に付随する説明書

 

No. 1  糠味噌

– 密かに「糠味噌臭い女」に憧れる貴女に –

 

「糠味噌臭い」という表現が日本語にあります。所帯じみて垢抜けない女性に対する貶し言葉です。昔はどの家にも糠床がありました。毎日掻き回さなければならない手のかかるものなので、お母さんの手には糠床の酸っぱい臭いが常に染み付いていました。

 

しかしそれも徐々に時代遅れになりつつあります。糠漬けはスーパー で買うものとなり、漬け方の奥義を知る者が少なくなってしまった現代、世の男性はやはり心寂しくも思っているものです。

 

美味しい糠漬けを漬けれる女性こそ最 高にいい女、と思われる時代も間もなくでしょう。食卓にはさりげなくスーパーで買って来た糠漬けを出し、手にはササッとこのパルファンを。糠味噌臭こそ、永久の母性の匂いです。

 

DSCN5711

DSCN5712

(米の外皮である糠でまず糠床を作り、それをアルコール抽出しました。ザワークラウトにも似た乳酸系の発酵臭がします。)

 

No. 2  畳

– 「女」としてリフレッシュしたい貴女に –

 

「女房と畳は新しい方が良い」ということわざが日本語にあります。新しい畳が気持ちいいように、女房も新しい方が気分がいい。何でも新鮮な方がいいという 意味です。

 

畳はイグサ(藺草)という湿地に生える細長い草で編まれたものです。新しい畳みが気持ちいいのは、清潔だからというのもありますが、新しいものほ どイグサがいい匂いを発しているからでもあります。しかし残念なことにそれは月日が経つにつれてだんだんに薄れていきます。「女房」がそんなイグサの匂いに 例えられているのが、このことわざです。

 

そんな失礼な、「旦那」だって新しい方がいいじゃない、といった反論は、とりあえず横においておきましょう。女とし て、フレッシュで若々しい気持ちを思い出したいとき、このパルファンはあなたの強い味方です。どの世代の女性にもお使いいただけます。

DSCN5481

DSCN5482

(イグサを岡山県から取り寄せ、それをアルコール抽出しました。)

No. 3  味噌汁

– 台所の女を演出したい貴女に –

 

トントントンという軽快な包丁の音と、味噌汁のいい香りで目覚める幸せな朝 — ライフ・スタイルの欧米化に伴い、このような光景も消えつつある昨今。

 

このパ ルファンはルーム・スプレーとしてもお使いいただけるため、そんな朝を手軽に演出することも可能です。家族をただ叩き起こすのではなく、幸福感の中でそっと起こしてあげる、そんな賢く優しい女性になりたい貴女のためのパルファンです。

 

また例えば旦那様にはナイショにしたい密かな冒険の後など、旦那様の鼻をカム フラージュするのに、このパルファンは貴女の強い見方です。シュッシュッと身に振りかけ、一日中台所にいたかのように演出しましょう。

DSCN5684

DSCN5685

(普段わたしたちが知覚する味噌汁の匂いは、味噌汁が蒸発したときの匂いです。なので味噌汁をフラスコの中で作り、匂いだけを蒸溜しました。)

 

No. 4  石鹸

– 純粋で清潔な女を演出したい貴女に –

朝シャンしてふわっとした香りを髪で奏でる、それは日本の女子高生の常識です。ですが、時間も余裕もないけど手軽に装いたい、そんなときもあります。このパルファンをひと振りすれば、あたかも今さっきシャワー・ルームから出て来たかのような香りを振り撒くことができます。

日本の男性は概して、純粋で清潔なイメー ジの女性を好むものです。貴女が小悪魔であればなお一層、このパルファンはその魅力を引き立たせてくれるでしょう。

DSCN5692

DSCN5705

(既製品の石鹸をチーズ下ろし器で下ろし、蒸溜しました。)

 

これまでの展示

Gallery Roodkapje, Rotterdam (PREMIER), 09.2008.

Dutch Design Week, Eindhoven, 17-25.10.2009.

World Technology Network Award, New York, 07.2009.

Artists Summit Kyoto, Japan, 12.2009.

 

クレジット

Camera Japan Festival 2008

食べれる香水

– extraction & composition of flavours –

workshop (2008)

 

12

Food pairing, a widely accepted concept in the molecular gastronomy scene, explores the potential of unacquainted food combinations – grapefruit with cardamon, carrot and bitter orange peel – to create new tasting experiences.

Maki Ueda developed her own mysterious ways of extracting smells from raw materials in a kitchen environment throughout her career. As artist in residence at FoAM, she was challenged to share her fascination in a hands-on workshop focusing both on smell and taste. Could both ways of sensing be combined with the art of composition in perfumery, the art of finding the right matches and balancing between hundreds of aromatic ingredients?

A natural smell is often extracted from a material using chemistry techniques for retrieving essential oils, such as distillation, ethanol extraction, or oil maceration. For the Edible Perfume workshop, these techniques were adopted in the kitchen. In a temporary laboratory setup, the participants experienced the complete process of extracting aromas and flavours from edible raw ingredients, in order to recompose them into new culinary substances.

Every participant was asked to bring two edible materials: a ‘he’ and a ‘she’ as part of a food couple. Each material was to be extracted separately and then mixed together into one edible perfume. The challenge for the participants was to find the right balance of the two elements , giving birth to complex and surprising scents; the children of the ‘he’ and ‘she’ ingredients.

The following food couplings were created during the workshop:

- almond & grapefruit - cardamom & orange - vanilla & parmesan - star anise & banana - clove & mandarin - ginger & turmeric.

The participants have witnessed the process in which the aromas get separated from the tissues of the materials and absorbed in the medium. The result was evaluated both by smelling and tasting.A lively discussion ensued – where does our sense of taste and flavour originate; what is this mysterious area linking the cavities of our noses and mouths that can sense such subtleties of aromas and flavours? The group agreed that he sensation of edible perfume created was neither taste, nor smell alone, butsomething ephemeral, an experience in-between the senses.

 

EXTRACTION

01

07

06

03

02

 

COMPOSITION (FLAVOUR COUPLING)

10

08

11

04

05

TASTING

09

14

13jpg

DO IT YOURSELF – 5 STEPS

1. Process the material and make it as fine as possible

Use whatever tool you can find in a kitchen to peel, crush, shred or cut the ingredients into the smallest possible particles. The smaller the particles, the shorter the extraction time.

2. Choose the right medium and right temperature

There are different ways of extracting smells in general: such as distillation, hot/cold maceration, solvent extraction, enfleurage. The most appropriate technique to apply is hot / cold maceration, common for making garlic-flavoured olive oil. In order to make the extracts ‘edible’, 40% VOL vodka or non-flavoured, odor-neutral vegetable oil can be used as a medium. We used Grapeseed and soy oil. Vodka or oil can only extract a part of the whole bandwidth of smells that the ingredient contains.

Extracting temperature is another factor. Certain temperatures can extract certain bandwidths of smells, depending on the ingredient. Experimentation is the message!

3. Stuff it in a jar and heat it for 1 hour

Place your ingredient in a jar, pour vodka or oil over the material (not too much, just enough to cover the surface), close it half way and heat it au bain-marie, keeping 70 degrees Celsius. 70 degrees is the temperature where oil does not change its flavour and is just below the boiling point for vodka. (Use an electric hotplate for heating because vodka is flammeable.)

In case of citrus and orange – which cannot resist the heat – they should just be mildly shaken in the jar at room temperature. The time needed for extraction depends on the material, however 1 hour is generally more than enough to extract enough amount of smell molecules for your nose and tongue to detect.

4. Filter it

Use a coffee-filter. If the particles are too fine for the filter and cause clogging, rough cotton cloth could be used instead. Stirring can accelerate the process, but it can also introduce impurities in the resulting liquid, so the best thing is just to wait, time allowing.

5. Compose the smells

Should mix ratios be 1:9 or 4:6? There’s no universal answer, indication nor rule here. This is where your creativity comes into play. Use your nose and intuition to explore and experiment. To check the result, you can lick it, but smelling it from a paper perfume strip is the best, as smell molecules tend to linger around longer in your mouth than in your nose. If your nose gets confused, smell your own skin to refresh it.

You can enjoy the ‘edible perfume’ with bread, cracker, or oblaat. Toast!

NOTE: keep your lab well aired. In case you get nauseous, go for a walk in fresh air, and drink a glass of milk.

(edited by: FoAM)

 

REFERENCES

Food pairing:

http://www.foodpairing.be/

http://khymos.org/pairings.php

 

INFO FOR PARTICIPANTS

documentation by FoAM:

http://fo.am/edible_perfume

instructions for participants:

http://lib.fo.am/edible_perfume

 

DEVELOPMENT

For the documentations of its development and the workshops given all over the world :

http://scent-lab.blogspot.com/search/label/%5Bedible%20perfume%5D

 

CREDITS

concept, realization : Maki Ueda

production : FoAM Brussels

premier : Open Kitchen / Open Sauces