戦争の果汁〜広島・長崎〜

[to be translated]

DSC_2641

 

for “The Smell of War” exhibition

 
Title: The Juice of War Hiroshima and Nagasaki
 
Year: 2015

When I was a child, my bedroom contained a shelf of my mother’s books and one of these book was about Hiroshima and Nagasaki. Inside I found photos of burned and rotten bodies. A field full of bodies that no longer look like bodies. It was in the high summer season so the bodies would quickly rot and flies laid eggs wherever they could.

The photos were so shocking to me that for nights I was afraid to go to sleep.  But I did not dare ask my mother to remove that book from my bedroom because it seemed rude to the victims. As I grew up I peeked into the book again and again, out of curiosity for the atomic bombings, and I realized that I was getting better in dealing with the fear. I ended up sleeping with that book until I left home at the age of 17.

 
I completely forgot about these pictures, but all of sudden, while I was thinking what to show here, I realized that they were the reason why I could not think anything else beside the smell of rotten flesh when I think of “the smell of war”.

In other words, working on this concept was digging into my memories.

Instruction:
Please put your head in a bowl. This smell was manually extracted from the juice of burned and rotten flesh.

 
 

 
 
 
  
 
 
 
 
 
 
 
The prime minister of Vlamish government also enjoyed the work at the opening.
 
 
At: The castle De Loving, Poperinge, Belgium. 

The Smell of War exhibition:

Curated by:  Peter de Coupere

 
[making]
 
 
This is a bizarre  story of purchasing meat of 20 euros at a supermarket, and made it rotten till it starts stinking for extracting the smell…  I am a bit ashamed to tell you the whole story but this is the real story behind this work.
 
When the curator Peter de Coupere asked me to participate in the exhibition with the theme of “the smell of war”, I could not think of anything else than the smell of Hiroshima and Nagasaki. That would be the case by most of Japanese.  We grew up with reading the cartoons “Hadashi no gen はだしのゲン”, with full of illustration of burned and rotten corps and maggot. Also it illustrates the bad odor.
 
 
The interface design:
 
 
 
Purchasing the parts for “katrol”
 
 
I sew the acrylic bowl myself because there was no company who could do this… it was quite some work.
 
 
I asked Peter, the organizer, for hanging the bowl with some instructions.
 
In Japan at my atelier: I bought pieces of meat at a local supermarket: checkin and pork, and burned them.
 
 
 
And dried them for 10 days in the sunlight.
 
 
 
 
This is the simulation of Hiroshima and Nagasaki. It was high in the summer time when they got bombed, and the burned corps got rotten quickly.  Flies lay eggs and it stank terribly everywhere.
 
After 5 or 6 days they started to smell like a garbage.  Around the 10th day it started to stink sour, and this was the limit (also for my neighbor…).
 
I extracted a little to check the smell and turned out that it was missing the burned scent, so I burned them extra.
 
 
 
Then sliced them.  My cutting board was suddenly covered with the flies. It was like a horror movie. I couldn’t inhale even, so I inhaled the fresh air 10meters away and ran to the cutting board, and repeated this.
 
 
After the extraction, I filterd it, but it also releases smells everywhere… I got headache from it.  If I would have continued this process I would have gotten depressed.
 
 
In my fridge is the extract and beer mixed up…it’s safe as long as it’s concealed 🙂
 
 
 
 

SMELL AND ART – syllabus

Smell and Art
Maki Ueda

What is it that we are smelling, what does it make you imagine, what does it make you feel? Could we incorporate the olfactory sense in art? Could smell be a medium carrying information?

This course will deal with these questions through a combination of lectures, workshops, intermediate presentations and a final presentation.

In this course we will start with looking at examples of art and the olfactory sense, then we will discuss the potential of the olfactory sense in art.

The workshops will first focus on fieldwork and on observing the environment with the olfactory sense. You will smell a lot and learn how to communicate about smell with others, using a basic vocabulary for analyzing and expressing the character of a smell.

Secondly we will extract smells from raw materials like soup, cheese burgers, old books, rubber tyres, flowers, and smelly T-shirts. You will learn how to do this yourself and how to compose new smells (in the most simple way).

 

In this course you will

  • (have to) smell a lot
  • learn about smell and olfaction
  • find another (hidden) dimension in the world
  • become aware of smell and that leads to a joyful, healthy, and long life (!)

There are many ways of using smell in art. You might want to perfume orange smell to your orange-colored painting, or you might want to add rose smell in an exhibition space where you show an installation that symbolizes love.

Most of the people only see the practical side of smell. Smell is like an additives that gives a good side-effect: it functions to make you feel relaxed or happy.

What we want to achieve in this course is a bit deeper than this.

Smell has a great potential as a medium. Let’s use this course as a place to experiment. We’ll focus onthe theme smell and communication. You’ll receive an final assignment (mini-project) under the theme of “olfactory game“.

EXHIBITION IN SPAIN: OLCATOSCAPE

SENSXPERIMENT 

http://www.sensxperiment.es/

20.10.2011. – 12.11.2011.

OPENING: 20.10.2011. @ LUCENA (CORDOBA), SPAIN

 

_MG_0508

20th October – 12th November 2011. Lucena-Córdoba

After ten years of activity Sensxperiment International Creation Meeting will be organized in a triennial basis, so most activities of the current eleventh edition will take place in October and November 2011, mainly in Lucena and Cordoba, Spain.

 

The topic chosen for this edition is ‘Sensory Immersion’.

“EXHIBITION IN SPAIN: OLCATOSCAPE” の続きを読む