白い闇

ヨコミゾマコト (建築家) x MAKI UEDA (嗅覚のアーティスト)のコラボレーション

パヴィリオン/空間インスタレーション (2013)

 

「白い闇、と聞いてそんなのあるのかな? と思ったけれど、体験してみたらそれはまさに白い闇—そうとしか表現しようのない、あまりにも不思議な空間だった。

壁にぽっかりと開いた丸い穴。その穴をくぐり抜けて薄暗い空洞の中に降り立つと、ふいに視覚は役に立たなくなる。何しろ、とりとめがなく、みどころのない白しか見えないのだ。」(体験者談)

 

東京赤坂ニューオータニ・ガーデンコートのオカムラ・ショールームの一角にあるOKAMURA Design Space Rでは、年に1度、新々建築家とアーティストが斬新なコラボレーションを行います。2013年は、「形によって空間と時間をデザインする建築家」ヨコミゾマコトと、「形がないもので空間と時間をデザインする嗅覚のアーティスト」MAKI UEDAとのコラボレーション。非日常的な建築的空間が創出されました。

 

Shot_121 のコピー

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にじり口を入ると、実際に霧がかっているような空間がそこに広がっている。薄明るい暗闇である。視覚は役に立たない。呼吸が落ち着くような爽やかな香りが広がっている。匂いを嗅ぎつつ、手探りしながら、じぶんの足音を聞きながらソロソロと歩いていく。 次第に、暗闇に目が慣れてくるのか、なんとなく奥の方が見えてくる。しかし、壁は相変わらず見えない。そのため、エンドレスの空間に感じられる。

手探りで壁を確認し、伝って歩くと、次第に香りも変化する。空間が広がるようなスペーシーな香り。そして、包まれるような懐かしい香りへと展開していく。

たとえば吹雪の中、あるいは濃霧の中で、方向感覚や遠近感を失う。その現象をホワイトアウトというが、それに似た体験を得られる空間である。

 

「白い闇」に向けて

ヨコミゾマコト

この展覧会では、私が憧憬する無限に広がる境界のない空間をつくってみたいと考えています。そもそも有限なこの地球上に、無限に広がる空間をつくり出すなど土台無理な話です。しかし、物理的には不可能でも、人の持つ感性と想像力に頼れば可能かもしれません。そこで、嗅覚のアーティスト MAKI UEDA さんに参加して頂くことにしました。形によって空間と時間をデザインする建築家と、形がないもので空間と時間をデザインする嗅覚のアーティストとのコラ ボレーションです。

想定されるのは、白いだけのまったく何もない空間です。しかしそこは、とても静かで豊かな空間です。嗅覚と聴覚が研ぎすまされます。 視覚は役に立たないからです。匂いは日常に溢れているものながら、 未解明の部分が多いようです。嗅覚は、視覚や聴覚に比べて、原始 的かつ直感的であり、記憶に直結しているとも言われています。その嗅覚に刺激を与えることで、人のもつ無限の感性と想像力を活性化させたいと考えています。

www.aatplus.com

 

インスタレーションを楽しんでいただくために

MAKI UEDA

みずからを匂いに委ね、嗅覚を頼りに空間を歩いてみてください。匂いが空間をナビゲートしてくれます。普段は主に視覚が使われます が、この空間では嗅覚が主役です。

独りで入っている時は、目をつむり、手探りしてもよいでしょう。つまずくモノもありません。たとえば犬のように、四つん這いになって右に左にクンクンするのはどうでしょう。

この空間には、三つの匂いを使って、目には見えない「立体画」を描きました。あたかもRGB(赤緑青)の三原色がモニター上で鮮やか な映像を映し出すかのように。この空間は、匂いの色彩で満たされています。どことして同じ色は存在しません。

香り自体に意味はありません。そこに意味づけを与えるのは、みなさんの経験や体験です。香りはすべて、ニュートラル。主役は、みなさんの「嗅覚の可能性」です。

www.ueda.nl

 

全体企画: OKAMURA Design Space R企画実行委員会

委員長:   川向  正人 (建築史家、建築評論家、東京理科大学教授)

企画委員: 芦原  太郎 (建築家)北川原  温 (建築家、東京芸術大学教授)内藤 廣  (建築家)中村 喜久男(岡村製作所 代表取締役会長)

実行委員: 岩下 博樹、萩原 圭一、鈴木 勇二、中村 留理、竹森 邦彦 (岡村製作所)

開催場所:    オカムラ ガーデンコートショールーム内 〒102-0094 東京都千代田区紀尾井町4-1 ニューオータニ・ガーデンコート3F  Tel: 03-5276-2001

主催:     株式会社岡村製作所  〒107-0052 東京都港区赤坂2-14-27  国際新赤坂ビル東館10F  Tel: 03-5561-4091

香料協力:      山本香料株式会社

 

制作過程: (ブログへのリンク)

http://witch-lab.blogspot.jp/search/label/%5B白い闇%5D

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食べれる香水

– extraction & composition of flavours –

workshop (2008)

 

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Food pairing, a widely accepted concept in the molecular gastronomy scene, explores the potential of unacquainted food combinations – grapefruit with cardamon, carrot and bitter orange peel – to create new tasting experiences.

Maki Ueda developed her own mysterious ways of extracting smells from raw materials in a kitchen environment throughout her career. As artist in residence at FoAM, she was challenged to share her fascination in a hands-on workshop focusing both on smell and taste. Could both ways of sensing be combined with the art of composition in perfumery, the art of finding the right matches and balancing between hundreds of aromatic ingredients?

A natural smell is often extracted from a material using chemistry techniques for retrieving essential oils, such as distillation, ethanol extraction, or oil maceration. For the Edible Perfume workshop, these techniques were adopted in the kitchen. In a temporary laboratory setup, the participants experienced the complete process of extracting aromas and flavours from edible raw ingredients, in order to recompose them into new culinary substances.

Every participant was asked to bring two edible materials: a ‘he’ and a ‘she’ as part of a food couple. Each material was to be extracted separately and then mixed together into one edible perfume. The challenge for the participants was to find the right balance of the two elements , giving birth to complex and surprising scents; the children of the ‘he’ and ‘she’ ingredients.

The following food couplings were created during the workshop:

- almond & grapefruit - cardamom & orange - vanilla & parmesan - star anise & banana - clove & mandarin - ginger & turmeric.

The participants have witnessed the process in which the aromas get separated from the tissues of the materials and absorbed in the medium. The result was evaluated both by smelling and tasting.A lively discussion ensued – where does our sense of taste and flavour originate; what is this mysterious area linking the cavities of our noses and mouths that can sense such subtleties of aromas and flavours? The group agreed that he sensation of edible perfume created was neither taste, nor smell alone, butsomething ephemeral, an experience in-between the senses.

 

EXTRACTION

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COMPOSITION (FLAVOUR COUPLING)

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TASTING

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DO IT YOURSELF – 5 STEPS

1. Process the material and make it as fine as possible

Use whatever tool you can find in a kitchen to peel, crush, shred or cut the ingredients into the smallest possible particles. The smaller the particles, the shorter the extraction time.

2. Choose the right medium and right temperature

There are different ways of extracting smells in general: such as distillation, hot/cold maceration, solvent extraction, enfleurage. The most appropriate technique to apply is hot / cold maceration, common for making garlic-flavoured olive oil. In order to make the extracts ‘edible’, 40% VOL vodka or non-flavoured, odor-neutral vegetable oil can be used as a medium. We used Grapeseed and soy oil. Vodka or oil can only extract a part of the whole bandwidth of smells that the ingredient contains.

Extracting temperature is another factor. Certain temperatures can extract certain bandwidths of smells, depending on the ingredient. Experimentation is the message!

3. Stuff it in a jar and heat it for 1 hour

Place your ingredient in a jar, pour vodka or oil over the material (not too much, just enough to cover the surface), close it half way and heat it au bain-marie, keeping 70 degrees Celsius. 70 degrees is the temperature where oil does not change its flavour and is just below the boiling point for vodka. (Use an electric hotplate for heating because vodka is flammeable.)

In case of citrus and orange – which cannot resist the heat – they should just be mildly shaken in the jar at room temperature. The time needed for extraction depends on the material, however 1 hour is generally more than enough to extract enough amount of smell molecules for your nose and tongue to detect.

4. Filter it

Use a coffee-filter. If the particles are too fine for the filter and cause clogging, rough cotton cloth could be used instead. Stirring can accelerate the process, but it can also introduce impurities in the resulting liquid, so the best thing is just to wait, time allowing.

5. Compose the smells

Should mix ratios be 1:9 or 4:6? There’s no universal answer, indication nor rule here. This is where your creativity comes into play. Use your nose and intuition to explore and experiment. To check the result, you can lick it, but smelling it from a paper perfume strip is the best, as smell molecules tend to linger around longer in your mouth than in your nose. If your nose gets confused, smell your own skin to refresh it.

You can enjoy the ‘edible perfume’ with bread, cracker, or oblaat. Toast!

NOTE: keep your lab well aired. In case you get nauseous, go for a walk in fresh air, and drink a glass of milk.

(edited by: FoAM)

 

REFERENCES

Food pairing:

http://www.foodpairing.be/

http://khymos.org/pairings.php

 

INFO FOR PARTICIPANTS

documentation by FoAM:

http://fo.am/edible_perfume

instructions for participants:

http://lib.fo.am/edible_perfume

 

DEVELOPMENT

For the documentations of its development and the workshops given all over the world :

http://scent-lab.blogspot.com/search/label/%5Bedible%20perfume%5D

 

CREDITS

concept, realization : Maki Ueda

production : FoAM Brussels

premier : Open Kitchen / Open Sauces

 

アロマスケープ・オブ・シンガポール

– olfactory representation of the city –

workshop & installation (2011)

 

Aromascape of Singapore consists of two parts: a workshop and an exhibition.

In May 2009 and March 2010, Ueda conducted a 3-day workshop for Aromascape of Rotterdam at Willem de Kooning Art Academy, Rotterdam, The Netherlands.  The workshop format will be adopted for the Singapore version of the project.

What do you smell if you walk around the city of Singapore?  Savoury fragrance from food stands and restaurants, green and fresh scent in a market, salty sea bleezes, or stinking garbage?  Singapore has an international reputation to be the clearnest city in the world.  In this project, participants are going to explore Singapore on the level of smell.

What is it that we are smelling, what does it make you imagine, what does it make you feel? This workshop will deal with these questions through a combination of lectures, hands-on workshops with fieldwork.  The result of the workshop will be used for the exhibition.

Some of the smells are extracted and exhibited. Just like a perfume shop, the visitors are free to touch them, open the bottles and smell them.  They are not perfumes for wearing, but for evoking your emotion and imagination.

[Relationship to Art and Education]

For Aromascape of Singapore, the relationship of the work to the theme can be seen as follows:  the purpose of working with art academy sudents is to raise the awareness for their sense of smell.  As these students will be in their late teens or early 20s, they have the maximum physical capability of smelling, because as you get old you can smell less.  They still have the clear memories from their youth that are attached very much to smell.  It’s the perfect mement for them to learn about smell and totally different dimensions will open up in front of them.

 

 

WORKSHOP

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More documentations regarding the workshop

http://scent-lab.blogspot.com/search/label/%5BAROMASCAPE%20OF%20SINGAPORE%5D

 

EXHIBITION

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NO. 1: IXORA FLOWERS (AMARYLLIS SEAH HSUEH TING)

NO. 2: SUGARCANE (BRENDAN POH KAI JIE)

NO. 3: CHEESEBURGER (NG YI HUI MARY ANN)

NO. 4: NEWSPAPER (KANAKO FURUKAWA)

NO. 5: CEMENT (ORANJE)

NO. 6: RICE (AMARYLLIS SEAH HSUEH TING)

NO. 7: INDIAN INCENSE (SHERYL LAW)

NO. 8: BAK KUT TEH (HO BAOXIN)

NO. 9: BARBECUE (MACK ZHI FANG WENDY)

NO.10: CHAR KWAY TEOW (DEVA RAJ)

NO.11: COFFEE (YU DANYA)

NO.12: TAIWAN SAUSAGE (CHUA TIAN LI)

NO.13: GARAM CIGARETTES (HEMA LATA D/O VEERAMOHAN)

 

EXHIBITION DETAILS

5- 16 January 2011 (Mon-Sun 10am – 7pm Fri 10am – 9pm)

Glass Porch, Level 2, Singapore Art Museum

World Premie (Supported by Singapore Art Museum)

as a part of: Fringe Festival @ Singapore

http://www.singaporefringe.com/#/back-to-school/AROMASCAPE-OF-SINGAPORE-

relating workshop: 29 – 30 Dec 2010, 11am – 2pm at Singapore Art Museum