OIKAZE

The role of heian scent culture and olfactive communication in the tale of genji

paper for a journal ALABASTRON(2024) 
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DATE: July 1st, 2024 (first release)
CONTEXT: ALABASTRON JOURNAL
CURATOR: Nuri Mcbride and Saskia Wilson-Brown

Alabastron is available.

We’re thrilled to announce that Alabastron is now available.

A journal that bridges the gap between academia and the public to explore aromatic history and culture, Alabastron is co-edited by Nuri McBride and Saskia Wilson-Brown. 

Alabastron
The Scent of Identity: Olfaction’s Role in Culture, Community,and the Formation of Self.
Page count: 244 
Dimensions: 6″ x 9″
Perfect Bound
First published 2024
Printed in the United States of America
ISBN: 979-8-218-36348-2
Book Cover & Illustrations by Jason Arias
Title Typeset: Messenger Gothic by Micah Hahn

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PRESENTATION AT EXPERIMENTAL SCENT SUMMIT 2024 (LISBON)

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“[The] summit was part of [the IAO’s] mission to build mutual support and a sense of community for this broad ranging group of creatives who may work at the margins of the fragrance industry, deep within it, or completely outside of it.”
– Women’s Wear Daily, 2017

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DATE: June 2024
CONTEXT: EXPERIMENTAL SCENT SUMMIT
CURATOR: Institute for Art and Olfaction + Klara Rabat (Smell Lab)

special thanks to: Kaori Egashira and Ayana Ishihara for assisting the presentation

SCENT EXPERIENCE KIT

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The set includes seven odors that appear in the paper. Experience the olfactive landscape of the Heian period.

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OLFACTORY GAMES (SMELL AND ART)

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Maki Ueda started her olfactory art course Smell and Art in 2009 which is considered one of the first constructed academic course on this topic. In the course students learn a conceptual and abstract approach to the medium of smell. The use of smell goes beyond the representational use and focuses on its qualities and experience without a need for a narrative or context. The students are challenged to develop olfactory games using this approach. Furthermore, they learn chemical skills by extracting and composing smells to support their creations. The game format challenges our imagination: while we always have limited fragrance materials, we never stop thinking of new games. The Japanese traditional olfactory game Kodo is a good example of this.

“Olfactory Games” is a finalist for the 7th Art and Olfaction Sadakichi Award for Experimental Work with Scent. The Art and Olfaction Awards celebrate excellence in global independent and artisan perfumery, and experimental work with scent.

 The course includes:

  1. Kodo workshop
  2. Smell performance workshop for blindfolded
  3. Extraction workshop
  4. Incense making workshop 
  5. Perfumery Basics workshop (+- 100 natural / synthetic materials, composition of the smell of rose)

Archives of the course: http://smellart.blogspot.com

Course given at:
– ArtScience Interfaculty of the Royal Academy of Art and Royal Conservatoire, The Hague, The Netherlands, once a two years
– IAMAS, Japan

Course hours: 36 to 48 hours

The Course Archive Book is for sale now!

Olfactory Games 2009-2019

SMELL AND ART – syllabus

Smell and Art
Maki Ueda

What is it that we are smelling, what does it make you imagine, what does it make you feel? Could we incorporate the olfactory sense in art? Could smell be a medium carrying information?

This course will deal with these questions through a combination of lectures, workshops, intermediate presentations and a final presentation.

In this course we will start with looking at examples of art and the olfactory sense, then we will discuss the potential of the olfactory sense in art.

The workshops will first focus on fieldwork and on observing the environment with the olfactory sense. You will smell a lot and learn how to communicate about smell with others, using a basic vocabulary for analyzing and expressing the character of a smell.

Secondly we will extract smells from raw materials like soup, cheese burgers, old books, rubber tyres, flowers, and smelly T-shirts. You will learn how to do this yourself and how to compose new smells (in the most simple way).

 

In this course you will

  • (have to) smell a lot
  • learn about smell and olfaction
  • find another (hidden) dimension in the world
  • become aware of smell and that leads to a joyful, healthy, and long life (!)

There are many ways of using smell in art. You might want to perfume orange smell to your orange-colored painting, or you might want to add rose smell in an exhibition space where you show an installation that symbolizes love.

Most of the people only see the practical side of smell. Smell is like an additives that gives a good side-effect: it functions to make you feel relaxed or happy.

What we want to achieve in this course is a bit deeper than this.

Smell has a great potential as a medium. Let’s use this course as a place to experiment. We’ll focus onthe theme smell and communication. You’ll receive an final assignment (mini-project) under the theme of “olfactory game“.