The Head of the VOC Visiting a Geisha
A Geisha Visiting the Head of the VOC
Two olfactory environments
Smell is the medium used by artist Maki Ueda. She takes you on a sensory journey to 19th-century Japan when the Dutch were stationed on the artificial island Deshima off the Japanese coast. The Japanese history of smell cannot be told without including the role of the Dutch: the Dutch East India Company (VOC) brought cloves, nutmeg, other spices and essential oils to Japan. The Dutch also introduced new distilling techniques to the Japanese in the 19th century.
Smells from Japanese History
Ueda uses a range of extraction techniques for oils and extracts
odours from daily life. Here she uses smells that refer to the history
shared by the Netherlands and Japan. Her installations are based on
historical fact and arise in her imagination. In this space Ueda has
created a maruyama geisha, a geisha’s chamber. These geishas served as
temporary wives for the heads of the VOC, because Western women were
not allowed to enter Japan at that time.
PLEASE TOUCH
You are invited to sniff around and survey the room. Step into the
role of the geisha or that of the visiting VOC chief. Lie down on the
tatami mats, powder your face and sample the odours of old Japan,
smells that were so exotic to the first Dutch visitors.
Live Geisha Performances
A live ‘geisha’ performance will take place here on 16, 17 and 30 May;
6, 13, 14, June; 4 July (Museum Night 8 pm – 11 pm) and 5 July
Ueda’s second installation is in room 24 of the museum, the Beer
Brewers Guild Chamber: The Head of the VOC Visiting a Geisha
The Head of the VOC Visiting a Geisha (room 4)
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This is a room with the Japanese smells that the head of the VOC was presumeably smelling in Japan. In some weekends 'a real geisha' lives in this room with wearing the smells. (cosplay / costume-play) |
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This is a smell interace that Ueda has developed. In the box you can smell those scents that the head of the VOC was smelling in Japan. (Self-made extracts are being used.)
‘The smell of these trees can be found everywhere in Japan, especially
around the Shinto shrines. It cools you down in the terribly hot and
humid summer. The aromatic crystals that Japanese people obtain from
this bark have the same smell as to Borneol but are much
cheaper. Therefore we, the VOC, have marketed this product as an
alternative to Borneol, with great success. We trade this product for
spices like clove and cinnamon.’
‘This smell surrounds the geisha house and invites me to enter
it. They appear to burn this wood permanently as incense. It permeates
the entire red light district. It makes me feel relaxed and excited at
the same time.’
‘Geisha's paint their teeth black with this liquid every morning as a
ritual. Since this liquid emits a pungent smell, my geisha finishes
her ritual before I wake up, so that I won't smell it. I asked her
what the liquid is made from, and she answered, tea leaves, fermented
rice, syrup, rusted metal, and insect-induced tree excretion. When she
bares her black teeth in a smile, they protrude so much that they make
me think of a vampyre.’ |
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Ueda has also developed 8 fragrant cosmetics that geisha's were presumeably wearing.
DEW OF FLOWER application: (1) As a tonic water: spraying after washing your face will make your skin moisturised. (2) For the finishing touch: spraying after puffing OSHIROI POWDER will make your face even more shiny. ingredients: wild rose water, clove, sandalwood, borneol "An buttery wax called 'OIL OF KYARA' is named after the best quality fragrant wood Kyara. The word Kyara is also used as a metaphor for anything best and gorgeous in the red light district. This wax is used both for skin and hair, so if someone wearing it comes nearby you'd notice it by smelling. There are specialized shops only selling this product in the big cities like Kyoto and Edo." - the head of VOC - OIL OF KYARA application: (1)As a crème (2)As a hair wax ingredients: candle wax, bees wax, roasted sesame oil, pine resin, spikenard (nardostachys chinensis), clove, sandalwood, fennel seed, cinnamon, musk, borneol >>> see all the cosmetics |
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This is a room with the Dutch smells that Maruyama geisha's were smelling in the island Dejima.
‘The VOC chief factor uses to drink this black drink every morning. It
smells slightly burnt to me. He says it's made of beans. I thought it
might be similar to Japanese barley tea, so I tasted it. It was
terribly bitter, but I managed to swallow it. I have heard that an
interpreter had to vomit after he'd drunk it for the first time.’
‘For relaxation after eating and intercourse, the VOC chief factor
prefers to inhale smoke from a pipe in which some kind of leaves are
burned. The smoke fills the whole room. It smells. It smells somewhat
sweet, bitter, and rather smoky, as when fallen autumn leaves are
being burned.’
‘On special occasions, this food is often served at dinner. I asked
the VOC chief factor where it comes from and he answered, to my
surprise, that it comes from the stable at Dejima. He kindly offered
me a piece but I could not accept it because I was afraid to receive
bad karma by eating it. By the heart of Buddha, we are not allowed to
eat four- legged animals.’
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Schedule - Geisha Costume-Play (cosplay)
May
June
July
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The Head of the VOC Visiting a Geisha
A Geisha Visiting the Head of the VOC
(2009)
Maki Ueda
[SPECIAL THANKS - DOMO ARIGATO!] geisha cosplayer: Misae Endo Sato Endo Shinobu Maekawa Miwako Amano Sae Inukai interior / sewing: Tomoko Inamura supply and advise: Miho Yamaguchi (AOF Air Of Fragrance) Takako Matsukuma (Aromatique Paris) Gin'nan kobo, for camphor tree bark Haru-san in Kagoshima, for Sanekazura Hiromichi (for perfume bottles) Takako Murata (Pola Art Foundation) Wolfgang Michel Kohgado assistance: Mihiro Yamamoto Sae Inukai Norika Niki