In my artistic practice I use smell as a medium to incorporate the olfactory sense in art. Speaking generally about smell, we often think about its practical applications: perfumery, toiletry, flavoring etc. Contrarily, I focus on the parts that are related to memories, emotions, perceptions, and experiences. The smell that I present is like a piece of painting.
Currently I am one of the few artists in the world focusing solely on the olfactory sense. Honorary enough I have been invited to the unique art exhibition with the smells (and of the smells) “If There Ever Was” held in the U.K. in 2008.
While most of the artists/perfumers use the ready-made aroma ingredients, I make the ingredients from scratch. While the commercial world prefers the synthetic ingredients because it's inexpensive, stable, and controllable, I mainly deal with natural ingredients. I consciously do that because I want to work with the smell as a medium, to know what's happening on the material level. Natural smell has a depth that is incomparable with synthetic smell. Synthetic smell consists of the limited amount of components, while natural smell often consists of thousands of components, often uncountable. We know that the strawberry-flavored candy tastes totally different from the real strawberry, for example.
I extract the natural smell from a material with chemistry techniques for retrieving essential oil, distillation, ethanol extraction, oil maceration etc. Sometimes I refer to the chemistry of cooking. I present the smell with the different diffusion techniques like atomizing, perfuming, incensing, and printing (scratch & sniff). The results are presented in a form of installation, live performance, or workshop. I also collaborate with choreographers as a “scent artist” to develop the olfactory interaction in interdisciplinary performance pieces.
Over the last years I've been researching and finding interesting local scents, and extracting them on- site. The focuses are the scents of daily life; food, drinks, materials, persons, and the environment. The result is a series of the perfume works under the name “Aromatic Journey” (http://www.ueda.nl/aromatic_journey1). The local culture is being explored and experienced by means of smell. The audience intuitively experiences essences of a culture by smelling. The results are not a perfume to wear, but to smell and trigger one's memory and imagination. For the foreign people they could smell totally exotic, while for local people they could be redefining and zooming into their native scents.
Olfactory preferences are originally locally oriented. They correspond to the evaporating character of aromatic substances. Each culture has its own special smell representation. Nowadays a lot of natural daily-life smells are disappearing because of the drastic changes in lifestyle. The chemically reconstructed smells made by the mass industry are invading us everywhere, and erasing and replacing the natural smells. On a street in Japan you smell Channel 5 just like you do in Europe. I consider this phenomenon as the nasal globalization.
In the past I was making media art works focusing on global awareness and communication. In 2003 I've realized “Hole in the Earth” , an installation in public space with bidirectional permanent streaming of video and audio for connecting two totally different cultures; Indonesia and Holland. When I was in Indonesia for installing, I became interested also to stream the local (good and bad) smells of the street over the internet. This has pushed me into my current works.
scent [at] ueda.nl
http://www.ueda.nl
http://blog.ueda.nl (artist's blog English version)
[selected installations and projects]
2009 HollandMania Exhibition, Lakenhal Leiden City Museum, Leiden, The Netherlands
2008
Open Sauces (contributing a course for the gastronomic event), FoAM, Brussels, Belgium
2008
Body Odor No. 5 (performative installation), Garaj, Istanbul, Turkey
2008
eau de parfum PERFECT JAPANESE WOMAN
Camera Japan Festival, Roodkapje, Rotterdam, The Netherlands
2008
Drop a line (performative installation with Heiner R. Avdal), Kaaitheater, Brussels, Belgium on 30 & 31.08.2008.
2008
SMELL BAR, Electric-Eclectics Festival, Meaford, Canada
2008
7 smells - the perfumes of the dancers' body odor - commisioned by eg | pc, releasing at the Holland Festival 2008
2008
If There Ever Was (scents exhibition),
Reg Vardy Gallery, Sunderland, UK
2008
The Scents of Holland (perfume series),
De Kunstsuper, Rotterdam, The Netherlands
2007
Aromatic Journey #2 - a workshop extracting the Dutch scents - (workshop & exhibition)
Corrosia, CBK Flevoland, Almere, The Netherlands
2007
Drop a Line (performative installation with Heine R. Avdal)
Vooruit, Gent, Belgium
2007
Aromatic Journey #1 - my memories of Japan - ,
Artedove, Fosdinovo, Italy
2007
Aromatic Journey #1 - my memories of Japan - , co-exhibition OL-FACTORY with Martina Florians,
Erasmus University Gallery, The Netherlands
2007
Skulpturenpark(proposal), Berlin, Germany
2007
Red Wine Chromatography,
Aanschouw, Rotterdam, The Netherlands
2006
Hole in the Earth (presentation of documentation), Electrohype, Malmo, Sweden
2006
Aromatic Journey #1 - my memories of Japan - ,
Artstore Rotterdam, The Netherlands
2005
Aangenaam (permanent installation based on the poem by Jules Deelder) , Mozaiek School (primary school), Rotterdam, The Netherlands
2005
Hole in the Earth , Beijing International New Media Arts Exhibition and Symposium, China
2005
Menu for A Nose - an artwork for NIKA coffee and Tea -,
Kunstroute Noord Rotterdam, The Netherlands
2004
Deconstructing Okonomiyaki,
Schouwburg Rotterdam production, The Netherlands
2003-2004
Hole in the Earth (finished),
CELL production with Jejaring Artnetworkers, Daarut Tauhid Mosque Bandung (Indonesia) and Diergaardesingeldriehoek (Rotterdam, The Netherlands)
2003
Let the Rain Paint,
QI-Kunsteiland, Rotterdam, The Netherlands
2003
Touch-Me-Gently,
QI-Kunsteiland, Rotterdam, The Netherlands
2001
Hole in the Earth (preview),
CELL production with Biz-Art, Shanghai Library (China) and Rotterdam Diergaardesingeldriehoek (The Netherlands)
2000
TELETEXT ART, on Dutch Television TELETEXT page, The Netherlands
1999
A Trash Day, Earth Vision production, United Nation Gally, Japan
1999
Kawabegawa-dam -what will be made, what will be demolished-, Keio University, Japan
1998-2000 Internet-connected LED display project (finished), Fujisawa Keio Postoffice, Japan
1998-2000 Jack-in-a-Postbox (finished), Fujisawa Keio Postoffice, Japan
1997-1999 Spilt Oil Exhibition, at 14 beaches in Japan
[workshops]
2009
1-week-workshop Explore Rotterdam with Your Nose, Willem de Kooning Academy, Rotterdam, The Netherlands
2009
workshop Edible Perfume, Tokyo, Japan
2008
workshop Edible Perfume | Open Kitchen, FoAM, Brussels, Belgium
2008
Painting with Your Nose (workshop for the baby's and toddlers, with Kristina Andersen),
Babelut Festival, Neerpelt, Belgium
2007
Aromatic Journey #2 - a workshop extracting the Dutch scents - (workshop & exhibition)
Corrosia, CBK Flevoland, Almere, The Netherlands
[study]
2007 PRODAROM-ASFO Grasse Institute of Perfumery Perfumery Summer Course
1999 M.A. Media Art, Master School
of Keio University SFC (Tokyo, Japan) Teacher: Masaki Fujihata (Media Art)
1997 B.A. Environmental Information, SFC, Keio University (Tokyo, Japan)
1991-1992 Scholord Exchange Student, Pearland High School (Texas, U.S.A.)
[awards & grants]
(in nomination) The World Technology Network (WTN) AWARD 2009 categoly: arts
2007 Grant for Young Artists for Overseas Study, POLA Art Foundation
2000 Grant for Young Artists for Overseas Study, Ministry of Cultural Affair Japan
[selected guest lectures / presentations] 2009 Guest Lecture / Projectweek workshop leader [Sense of Smell], Willem de Kooning Academy, Rotterdam, The Netherlands
2009 Fragrance Journal Co. Tokyo Japan
2008 Leiden University
2008 Amsterdam Rietvelt Academy
2008 Tokyo Art University, Japan
2008 Willem de Kooning Academy, Rotterdam, The Netherlands
2007 Willem de Kooning Academy, Rotterdam, The Netherlands
2007 FoAM researcher's gathering, Brussels, Belgium
2006 Piet Zwart Institute, Rotterdam, The Netherlands
2004 Art Academy, Bandung, Indonesia
2000 Dog in the Backyard (CBK), Rotterdam, The Netherlands
1999 Mediamatic Salon, Amsterdam, The Netherlands
1999 Keio University, Yokohama, Japan
1998 Japan Design Forum, Fukui, Japan
[experiences besides the artistic carrier]
1999 Part-time teacher at Tokyo University of Art (media literacy)
2002 Researcher(curatorship) at YCAM Yamaguchi Center for Arts and Media
Since 1998 regularly working as a translator in the field of art and media (a.o. NHK TV, magazine Book and Computer)
[publication by Maki Ueda]
2008 article on If There Ever Was, AROMA RESEARCH°°No.35 2008/8 (vol.9/No.3), Fragrance Journal Co. ISSN: 1345 4722 [JP]
2008 If there ever was (contribution of a smell) ISBN: 978-0-9557478-0-9
[publication about Maki Ueda] 2009 New York Times Magazine (If ther ever was)
2008 many reviews were published about the exhibition If there ever was
2008 EG | PC magazine ISBN: 978-90-810813-4-4
Aromatic Journey #1
Touch-Me-Gently
and a lot other articles and TV programmes both in Bandung and in The Netherlands
Hole in the Earth
Menu for a Nose
Aangenaam
Kawabegawa Dam
A Trasy Day
Spilt Oil Swap Exhibition